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Little Muddle


KNP
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14 hours ago, KNP said:

Across the rolling countryside a train is seen 'lurking' on the viaduct.

Is it

a. taking in the scenes

or

b. waiting for that 'pesky' signal.

 

Now that is the question

 

5881.jpg.64dd2cabcfed6a0277cf105c2826a1af.jpg

The scarecrow has a much larger area to scare the birds from - but, as has been said before, he is outstanding in his field .

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3 hours ago, KNP said:

Every now and then you take a picture that works and for me its this one.

Camera on the tripod with the extension arm at its furthest reaches and then the picture taken back diagonally towards the engine shed.

What caught my eye, was how the layout just seemed to disappear into the distance with no disenable break , I know this was my aim but this picture just caught it right.

Even after all these years I can still surprise myself with pictures.

 

5882.jpg.03aba4355d0ceafdbb8cfc640a9c8890.jpg

 

It also shows how successfully you've done the scenery in areas that are, presumably, more difficult to appreciate from normal viewing angles. Personally I've never bothered about how scenery looks from the "wrong" side as it were, but you've got it spot on. Brilliant.

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1 hour ago, KNP said:

At last been able to get back around to working on this as both tasks of building stuff for my son and daughter are complete......

 

What gauge are their layouts going to be then?

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1 hour ago, Winslow Boy said:

I'm certain he was looking in the other direction last time I looked. Are they like the Mona Lisa with 'eyes' that follow you.

 

If the farmer was being inventive he could have built a scarecrow which acts like a weathercock - the wind turns it as well as 'flapping' some of the clothing, creating movement and noise to deter those pesky pigeons. 

 

Or is it a private investigator staking out Rose Cottage down the hill?  

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